Tuesday, November 30, 2010

Valve Release

I have achieved it.  It is accomplished.  I can now do my job, as it were, as I might refer to it in a beggar’s paradise, halfway to lying down.  Like a new slice of easy going heaven for me, this pathetic dreamer, non-achiever, in the work-a-day world.  I look forward to those bodies, who idle in the same fashions as I, nearby and far far away in their caricature worlds of holiday and dinner commutes, gazing upon This – my half elated, half fearful stretched out form lying back with my pretty little head just a few feet from the radiating bliss emanating from my colour printer, the one it took six months to get moved one desk over to mine.  Now, I can lie back, eat my bon bons, read my Sade and put my feet up (I will have to secure a foot stool of some kind, preferably one with golden tassels around it, to match my demeanor and mood) while my heavy, fulfilling mind sleeps the sleep of drunkards on the cobblestoned alleyways that exist just atop this loud, sleepy printer.  The yellows of its radiations reminding me daily of why I am here; a simple pillow for a wayward girl, and me, in my kimono robe of red, creams and black silks, taking a nap poolside.  The trees gently swaying above me, the sunset I have never been allowed to see here, always and forever out of reach. 

I dream of that day, when my witchy gypsy medicinal fact sheets are checked, my hands their most adept, never cold again, when I can stand up, in the robe of course, flip off my crystal clear high heeled slippers, knocking every other person who irked me in their eyes, circle my model graveyard of places gone and picking up the bon bon wrappers and the old coffee and tea cups (my god, how many of them would there be by now, if I counted all of them), climbing upon the high level shelving all the way round the place, like a mangy cat in heat, and walk away, going the long way, gazing with a grin at that warm, golden orange sunset though glass, misting in between the panes at me and ushering me onwards, away and beyond (but actually away and beyond, not just the away and beyond which exists in my head, pulsing with an anxious heartbeat all the time….like when you can feel your heart beating in your arms and legs; you want something so badly…when your body tells you there is not another way).

For now, I rock back and forth, a traumatized queen of circumstance, and sip my 3rd hot beverage today, happy to think about blue waves, and French wine, and those slippers I still have to buy.  My chair moves in all directions, now.  Soon, I will follow it and spin myself a new tale, spin myself some comedy gold – right into every freedom I can still recognize.  Eat the dust that kicks up as I leap out of here barefoot, you motherfuckers.  Sorry the circumstances under which I exist here force me to never allow you people to see my softer side.  Better to hide the softer side, than let the mean, hard one out when people least expect it.  As I suspect more of you than not, do.

I have cried, laughed, been dejected, mourned, celebrated, aroused and numbed myself in this place…this chair is going to shoot straight up to the heavens, in those holes between the stars and the atmosphere- billowing blue smoke expressing itself from the truth, catching itself in my lips as it exits my mouth and cascades me past the dirty carpet.  I’m taking the chair with me.  

~ M. Lucia

Sunday, November 28, 2010

Thanksgiving Haiku

quiet, then vicious
raining as we walk the streets
yet never absolved.

~ M. Lucia

Wednesday, November 24, 2010

Two Straight Lines Make a Circle

A pounding pain in my head brings me back to this place. A wet blanket cradling my extremities, as they grow warmer and warmer with each passing day. To match the powerful center flame that threatens each night to put me out in the rain again. In our naming of ourselves, we lose contact with the meaning. We lose contact with the meaning in just about every area of our lives – one bold, and flesh eating thread pulling us out of ourselves in a straight, un-ending circle (not a line, as most people think, but a circle, which can mean the opposite of infinity in the mundane shadow of a day) thwacking us on the back of the head, right beneath our remaining Cro-Magnon ridges where our necks meet our craniums, upwards and into the brain like an old Italian mother who didn’t need threaten you when you weren’t doing right, or a handful of a woman who followed her impulses one act at a time. Back upon us, back into us, the thread circles round and removes another layer of memory, of passing, of creative imagination which we once gathered loosely round our hearts. Remember what it felt like to be twenty years old? The meaning was so close. We didn’t know fuck all what to do with it, but it was right there. Alongside. The thread hadn’t sprung up from our coverings yet. All that pacing, and wasting and wanting got us here. Then, one day, it happened. Didn’t even notice it for a good number of years…took it for “maturity” and a life less chaotic. By the time the occasions would grow closer to each other, when we suspected the run had started in us, it was too late. Like telling a woman in the throws of birth to close her legs.

Then, after you’ve consigned yourself to this place and try to find all the good within its walls, just as occasionally you feel, in the midst of an auld song or photograph or even just the smell of a place, in the crook of your elbow, the coming of winter, the home fires burning somewhere else in someone else’s home, you feel it. Zing, like a shot up your veins and bursting through the doors of your heart. You are in that youthful place, but now with this knowledge, with this regret, with this experienced energy. It doesn’t travel alone, though. Never again will it come to you by itself. Accompanying it is its twin- the loss, the pain of nostalgia, the straight line (which the thread, feasting and devouring and circling through, doesn’t let you know it’s after shape-wise). The straight line comes down on your chest like a mallet, beating out the feelings and the moments and the now of things and the Meaning. Gone again. Into the cold, teal and rainy night. It leaves you with the rain, viscous and comforting, gliding down in a sheet outside your eye sight. The best part of this ritual is that you don’t know when it’s coming, where or how and if it will ever show up again, around the bend of a summer’s day, the same home fires burning in the heat of the evening sky. In this loss, something is gained --- always. Your name remains the same, whatever that means. Your name comes from your parents, your family, an actress your aunt adored…those sounds come from colours and metaphorical pictures of things we cannot say to each other. That can also be reduced to a lineage, a grouping, a set of human beings cut from the same cloth --- from which we all were nipped from.

Most people cannot abide this deconstruction and hold on so tightly to this name, to this persona. I hold onto mine but let it slip in and out betwixt my fingers, as if I’m dancing and its going out for the night…it always comes home, a little drunk, a little world weary, often horny and needing some sense of satisfaction. I take it to sleep and dreams with me, set it to vacations in the other worlds of my psyche, so-called, and let it weave its wonders around the cracks and fissures, bouncing its way into people and back down to earth again, across the nebulas in the needle’s eye. Prying open secret doors and alleyways, roads that keep travelling round again. Always around again. My sense of identity in this place, in this body, in this space and time, is both veiled in strength and completely raw, Because I set it free to re-create itself in the colour of someone else’s eyes, in the empathy for which I feel like a piece of flint for not rising up to my best of natures, in the desiring which I can and will never detach myself completely free from – not free just yet. There is so much more work to do. It’s as in a horrific nightmare: when that thread lurks behind you and you get that sinking feeling of it coming after you again (shielding the back of your head and neck, cowering over your chew toy heart, chewing your lip with each passing second you’ve missed) and you could try to out run it. Send it away, as I have often done. But every now and again, you should stop in your tracks. Turn around, and look him in the eye. He’s following you; he has been all of this time, because he emanates from you, between your legs and in your brain he grows, and finds his voice to counter your own. Smile at him, from the very primordial place of who you are. He will always recognize you, there, as yourself. Put down your dukes now, gaze on out and then in, and learn to abide.

~ M. Lucia

Monday, November 22, 2010

Orion's Belt

boots unzipped--- snarky;
you'll be quite the man someday
remember me, still.

~ M. Lucia

Friday, November 19, 2010

FOXWHOLE

What of memories from the foxhole?

What about those days spent in the mire, muddied and manly, yet unmanned by the free flow of fear forming and foaming in your pants.  We happy few indeed, we branded brothers, with scars to prove it inside and out.

The only fully-formed memory I have is of that guy Marty.  He was colossally uninhibited.  Even when he didn't have to shit on a shovel like we did most days in the hole he would anyway, no matter where he was.  Even in the mess that time.  He took a mouthful of 'stew,' got up, pulled the spade out of the sergeants kit by the wall, dropped his pants and shat on the blade.  Huddled in the hole with your head down this was the easiest way to get rid of shit so it didn't pile up around you.  You just dumped on the shovel and heaved it like a hunk of dirt over the wall.  Preferably in the direction of the cock suckers trying to kill you.  There really wasn't any reason to do it in the mess hall with the latrine out back.  Marty never liked the latrine though anyway because it made him feel trapped he said.  I never felt trapped in the shitter though--it was the one time I could really let it all go so to speak.  Can't tell you how many times I cried in the john back then.  Now the tears just don't seem to come.  Anyone tells you they didn't cry in the war is a liar.  We all cried like babies.  Dying's some scary shit.

So Marty--he crapped and pissed in front of everyone like I said.  I mean none of us was shy about that kind of thing but Marty wouldn't even try to maybe angle himself even a little bit to avoid full-frontal.  And he'd moon anyone any chance he got, especially jerry (by which I mean the Germans) across the wire.  We saw his pud up close when he showed off the purple scar on his nuts.  His teeth, his toe nails - even all the stories about his father and the car dealership and the cabin in the Kentucky hills.  I think Marty never really had anyone in his life maybe so the war was like his one chance to have someone to really talk to.  We were a captive audience most of the time.  There was nothing else to do but be killed.

When Marty got it funny enough you couldn't even tell.  For someone who showed everything it was weird I thought later how when he died it looked like he was sleeping.  You would have thought someone like him would have died with his guts hanging all out--sharded bone and deli meat.  I'm still not sure where the bullet got him.  I only heard later he got shot after they took him off.

Oh and I remember Frankie Wolff--he was the fattest fuck you ever saw leave basic, like Paris Island went in one ear and out the other at least in terms of getting "battle ready."  That didn't stop the Corps from sending his ass to the line ASAP though.  War though, war straightened ole Frank right out.  Scared the fat right out of him.  He never looked better in his life right before he bled to death out on the field, the last of him just leaking away by the light of the flares.

What about that foxhole?  What's the difference now?  I talk to my dog about it from time to time.  She doesn't seem to mind.  She's a good girl.  I named her after that whore I spent the night with in France that first summer I was there.  I can't remember the whore's name but the dog's name I know.  I keep it secret though. No one needs to know about that stuff.

Wednesday, November 17, 2010

Ward 21

I am not amused.

I do not enjoy collecting myself to the nurses' station, banging quietly on the glass asking for my pills.
Watching the janitor have to take the back route in order to drag his bulbous mop and bucket with him, disguising his steps because he is not "one of us". 

Eating the cafeteria food which is served up with a heavy dose of arsenic, bubbling from beneath the crumbs and the complimentary beverage.  Looking into the colours of the wall and dreaming dreams I might not have a right to be dreaming.  Examining the closed up sources of power which dwindle from the bodies seated near me, and feeling like I've stepped into the wrong room - again.

Thank god for the doodles I make at night, in the stolen notebook I keep beneath my dirty pillow.
When the lights go out, I make worlds and adventures and pathways that they could never find their way to.  Thing is, I would Want them to, if they really wanted to, but they don't.  WANT to.  The pills, the slanted view, the old soap opera reruns on the rickety old TV near the ceiling, hoisted in the corner.  It plays stories that have happened already, interplay between TV stars who have died, or divorced, or had breakdowns themselves.  Maybe one of them might show their face here, in the "rest home", one day.

Thing is, the beds are pretty comfortable, you get to make the occasional phone call, they let you walk the grounds (supervised of course), even on a weekend day, if it's sunny, there are trips to the nearby museum, where you can see the colours of other people's pretty artworks, and keep doodling in the dark, messing with yourself because you need some kind of release in this place.  The bathrooms are good for that too.  Just don't let the guards catch you doing that.  I think they prefer us to be as pent up as possible and don't realize that making a self imposed stop over the rainbow (it never rains anymore here, like it used to) is good for us; they don't like the glimmer of sexual freedom in our grins when we emerge for a moment, before the afternoon nap settles in.  It's like being in kindergarten for Christ's sake. 

I don't think it matters that much, in the end, if my notebook of doodles is seen by them outside, those not in the ward. Well, it could die as happy as sunshine unbridled, in the shadow beneath my pillow, the sheets never getting changed.  But it must live out there, stand unabashed in the middle of the open field, with the breeze kissing every single page, bringing every word to righteous climax again and again in full step with myself.  And there might be a spectator or two.  People like to watch, even if they know they shouldn't.

The janitor just slinked outside the back door again.  The soaps are over for today...guess we'll have to wait until next time to see if he'll ever find out that "the baby wasn't his".  Granted, the others here love to watch, even though they already know the end to the storyline. 

Sometimes I fold up my doodles and stick them under S's door across the ward.  S had found ways to sneak in contraband to his end of the ward.  Whiskey, cigarettes, magazines....I myself keep a tiny hip flask tucked in the tank behind the corner toilet.  Good to keep all your vices as close to you as you can.  S got busted for his, but he tries and won't be dissuaded so easily.  No one's found me out yet, but I hope that janitor doesn't catch wind of it.  He'll sip it up like there's no tomorrow.  On his salary and with his life, he needs it more than me. 

I know I'll get out, and I hope S does too.  This is no place to grow old, when there are fields to be run miles and miles away, and even just outside the recreation room window.  I can't keep letting the sun set in fanatical colours and me not there to see it, my feet sorted in earth.  Whoops - time for my 5pm medication.  Should kick in by dinner time.  I think it's chicken tonight.

~ M. Lucia

Friday, November 12, 2010

Shadowplay

In the crumbling pieces of dead, dried flesh lie your ideas of yourself.
knitted together macabre-like,
a chainsaw divides a wire which connects the
flat, pinky tissues together.
Forming the face of an egotist
come one come all,
there is a matinee showing
a second try at life,
again more words to be found at the bottom of the barrel head.
dirt gets mixed in with the decapitated beauties,
killing one killing all
until there is nothing left, but billowy white
floating in the space which lies unabashed
between the places in the wax.
Dripping down your thigh, on its way to mine,
let it find home, and see yourself through its
safer shore, the one at the end of a long,
and journeyed tale.

~ M. Lucia

Wednesday, November 10, 2010

Haiku for the Rest of You

My only weakness:
I could never suffer fools.
Choking on themselves...

~ M. Lucia

The Point of No Return

In my sight
in all my sights
I come to the depression between
the bone and the sorrow.
When the medial of my
wicked selves sweeps up
after dark and stands naked
in the windows,
on the wharf of the watched world.
Sail on by, street
paving the planners' way home
Late. again-
Boom says the punk inside of
me crawling, my son stands with
oversized, idle boots.
The legs shake one by one -
stop, freeze then
retort, both at the same time.
One heel up towards me,
one pulling back to the wall.
Aren't we all sitting up in the shitter
reading past pictures
in the paper
chewing the fat of our
complacency, at low tide.
We'd be better served
ripping out the stitches between our lips,
sending the fools among us out to massacre,
and breed a new, clean rising fire;
one they can't see, smell,
or trample on.

~ M. Lucia

The Adventures of Small Man

Small Man is one of those people who look like the non-little-person / non-child-actor cast member(s) of the Munchkin scenes in Wizard of Oz.  I know it's an obvious reference but in this case it really is the best way to describe it.  You also see it from time to time in certain freakishly small immigrants (Italians in the 20's and now Latin Americans)--regular bodies, just tiny.  And usually pronounced eye-brow ridges.  I know; this is all disgusting and I should stop writing it--one shouldn't be thinking these things let alone saying them.  And actually using the name SMALL MAN is reprehensible, but I'm not sorry.  I mean him no ill, I'm just saying is all.

I pass Small Man every day driving to work.  He's walking up the hill I'm driving down.  He looks very industrious.  He strides with a purpose, quickly up the incline.  It seems to not bother him.  His boots are large and practical and efficiently and tightly laced, his pants some non-de-script brand encasing his lower body like a super-heros.  Plaid shirt is well-tucked.  His face concentrating, no-nonsense, serious.  His eyes might even show a little anger.  In any event, his whole person should be set to music--action music, Super(small)man music.

I provide the music myself now when I see him.  "SMALL MAN!!!!" I yell in my ironic-announcer voice and hum the Small Man theme.  Our schedules overlap but the timing fluctuates.  Sometimes it takes until I get all the way down the hill to see Small Man; sometimes I see him right in the beginning.  When I don't see him right away looking for him will take on an urgency.  "Where are you Small Man??  Where have you gone?"

I think Small Man knows I'm looking at him.  I don't know if he's self-conscious about his stature or if he just has Super-Hearing, but lately when I yell "SMALL MAN" inside the car with the windows up I think he can hear me, and he's not happy.  I wonder if maybe I'm Small Man's arch enemy but just don't know it.  Perhaps he thinks to himself "there goes Large Man.  Look at him with his fancy suit and his grossly large features.  Him and his big hair.  I HATE you Large Man!!!!"

Tuesday, November 9, 2010

For "Lola", or As-Yet-Unnamed Lola

Night alone in the room
cherry cola,
and Lola oncoming.
There is a star outside the window,
no other star in the sky.
Gabriel is here-
shining peacefully upon the both of you.
I look for you over from the view of the bridge.
So happy to witness him;
No one left on the street but me.
It's that mixed up, murky confused kid
of a world, except for Lola.
He and I look over to all of you now,
in triumvirate of 3. Cannot stop smiling---
Lola's coming, Gabriel.
A fog horn booms, sounds as deep as her heart.
Just above the clouds, still and centered,
Here runs in to the center stage, Lola.

~ M. Lucia aka Aunt Ginny

Saturday, November 6, 2010

6 Inch

The question that paced limply round my mind was would I still be able to defeat the might of an entire army with just the brittle jawbone of an ass (arse? does an Irish donkey go by arse?)  Would my ability to slay without the toss of my long biblical hair hold weight? A very valid question for someone who let the other girls play with her hair at school, who occasionally flung it in the face of women who needed a wake up call, who loved having it pulled while being fucked, yin and yang in perfect harmony, who could count on it to cover the tattoos when skillfully placed clothing failed...I refused the complimentary glass of wine, since I knew I'd be drinking whiskey within the hour, also apologizing profusely for such an offence as saying no to the vino.  I saw the long dark tree trunks of hair fall one after the next to the floor, half wet and half dry, just like me.  I haven't felt this way in awhile, like the first flutters of love, the intent lightness of lust, imbued in the shoulder bones, now slowly more and more exposed as I let loose with my past and let it braid its slipknot secrets down, with a swift tailwind.  Nothing but a wavy brown mound of interwoven, dead hair, swept up into a pile that looked like the cheap toupee of a wannabe gangster.  Pity - I didn't want them to take it away.  I kept a lock of the complete half a foot, two years worth, 6 inches of hair..."what are you, a Jew?"  Always the most inappropriate thing said becomes the thing I smile at the most; sceptre in ashes at my side.  Nice to dethrone yourself sometimes, tie yourself down, crumple the crown, and look forward to the night all the same.

~ M. Lucia

A Gamble

The morning sun tumbled into the living room like dice chasing down green felt
skittish, bounced, bump.

The pert coffee tables' fierce leg toeing its shadowed line deep into the fleshy carpet, across the childlike smiles of my warm sun
selfish, diagonaled, dark.

The silken ties of the tent felt only when the penumbra intrudes and the Frost wind rips
tauten,billowed, blown.

Craving freewill at the mercy of the squall, navigating opaque truths-
Choice is only free when the alternatives are known.
shaven,bared, bone.

Not tangible, I suffer the difference on my skin between sun and shadow
foresaken, trampled, tied.

Friday, November 5, 2010

Feral Feline

Occasionally a bird would attempt flight, winging from some bush or stand of grass, but then vanish, yanked violently back down into the scrub, made a meal presumably.  From under the dumpster the eyes will stare impassively.  Some make that noise walking to their cars in parking lot, trying to woo them from out of their hiding place.

"Kiss, kiss, here kitty kitty."

Is there a flinch?  Not even in an ear.  Maybe the eyes narrow but maybe really that's just me projecting onto them, wanting perhaps some emotion, a reaction maybe, a sign that they could be comforted, poor babies, in their poverty.  But they know that I would only pet them, a scruff behind the ears, and then leave them like everyone else.  They know this in their DNA.  Its been bred into them over the generations--a river-bound culture of solitude and of Darwinian death.  Who needs a vampire movie?  A zombie story?  Linger sometime after the trains have gone and the commuters have charred a path up the hill.  Wait for the mist to part and allow yourself stillness for a moment, focus there, on the underbrush, and you will see them.  You will see the low crouch, the tension under mottled fur, the clawed feet perfecting their launch pads, the tail-end hooked, measuring wind and balance.  Eyes like cold empty death, waiting, counting down, sensing every inch of vulnerability.  Bird, human, cat--blood pounding in unison.

*  *  *

And then she appeared.  A slender tower, even from above.  White haired but hooded.  Hands pocketed.  What shadow had she stepped from?  Maybe it was the pigeons that called my attention as they quietly fled, wings impossibly silent.  Were they afraid?  Alone, I swallowed hard and her head turned, or more like tilted.  I looked down on her from the station as she stood at the fence around the vacant field below.  The lights of the power plant a few miles up the river signaled a toxicity in the air.  I imagined her eyes following the cock of her ear, her eyebrow raised in consideration, coming to a conclusion about me as her witness, or maybe inviting me to flee in this one afforded moment, to take flight with the other birdies, safe home to roost at my sitcom hearth, my candy-dished coffee table.  

She stepped, impossibly, through the chain-link.  My eyes strained to decode the illusion.  Where was the gap?  What shadow conspired to trick?  But then her gliding gait was yet even more magic, her stride a wind-part on the weeds.  What was this thing?  I felt a bladder urge, like a shiver of fear, and I held myself to stop the flow, like a child dancing in front of a TV cartoon not wanting to part with the color and delight.  No color here though.  What I watched was a drab autumnal blanket of weed spread at dusk, carpeting down to the slow-flow of water, the Hudson here an eddy-turn north against the stoic, estuarial tide, a bold ignorance of the commerce of humanity.  And there, at its center, a white witch.  

She called them to her with raised hands and the drape of coat over her shoulders and arms.  And they came.  They moved like lions, a pride of cats, a community of monsters, through the grass and reeds, out of hiding places and off of regal perches.  They closed perpendicular through the concentric wraith-wreath around her, deliberately.  At her feet they would one by one disappear under the narrow circle of her long skirt, an impossible amount vanishing inside her clothing until all were gone.  A wet draft rose and the moon light broke free of the sooted clouds of night.  She bent at the waist drawing into herself and the air was charged with the static foretelling of a lightening strike.  A warm flow ran down my legs and the acrid litter-box stink of stale piss burned my nose.

Then, a white cloud of hot light mushroomed with the witch at its center.  It was for a moment like a summer day and then gone.  I was knocked back sitting into a puddle and banged against the brick wall of the station.  The roughly finished cement of the rustic building digging into the scalp at the back of my head and the nape of my neck.  I don't know if I slept or just waited to clear my head.  There was a light in my face and a man's urgent voice.  I shaded my eyes and saw a police cruiser idling at the curb and shafting a flashlight at me, the obvious drunk passed out at the station.  

"Hey!  Move along buddy."   

I stood.  Smoothed my suit coat.  Tried to gather myself and give an impression of sobriety.  Down in the field all was still, dark, empty.  

"Take a cab would ya?  Do me a favor, OK?"

"But I'm not...I haven't been-"

"Cab."

"OK."

He drove off.  I went down the metal stairs to the street below.  The cabs lined the fence on the other side of the tracks and the drivers dozed waiting for the next train.  I sat on a bench thinking I should wait; give my pants a chance to dry out.  From under a car in the parking lot a pair of eyes reflected greenly, indifferent.  I looked away.  

Thursday, November 4, 2010

ANOTHER CHAPTER IN THE FLESH-EATING OEUVRE - 1

XOMBIE - That word, the brand name really, dominates the pink packaging, the 'X' and the 'O' part of some tic-tac-toe theme that was hard to decode at a glance, but, then again, who ever lingered long enough to ponder the packaging with such a promise of adventure inside?  And, truth-be-told, the crude marketing and packaging that had rolled-out with the toy's initial release persisted even now, adding that campy quality that had become such a part of the product's overall perception and XOMBIE company gestalt in the minds of the American public.

The packaging was pink because it was a XOMBIE - Girl, with 'Girl' in smaller lettering but indicating that this was the girl-directed version of the #1 'toy' in America, the run-away popularity of the product even now memorialized by the president of the US on the cover of Time Magazine laughing along with his photogenic son as Pogo, the "first dog", ran in terror (though never really in any danger-thus what otherwise might've appeared to be callous laughter) from the family Xombie (-Boy in this case) as it lurched and shuffled its 6-inch body (the action uncannily frozen in time in rich saturating color by Annie Liebovitz) across the Rose Garden lawn, the gnashing of its teeth and darting of its rancid bloodied tongue appearing blurry in the photo contributing to the overall quality of action, caught in the act, while at the same time, like a Rockwell painting, showing each face telling a different story, zombie-flesh-lust, bug-eyed canine & glaring, over-the-shoulder panic, toothy presidential glee and blue-blazer, red-tied confidence.

This packaging, OUR Xombie's packaging, had already been disassembled and left here on the dining room table along with the UPS box it came in and the family scissors that had been used, with no apparent physical damage to any children, thankfully and miraculously, to slice everything open.  Also on hand here on the table were the "directions for care."  The Xombie itself was no where to be found and my wife's car was not in the driveway.  I maintained my typical well-worn serenity but began the search.  Quick glance in the living room?  Nothing.  Kitchen?  No.  I'm reading the instructions.

"1. Remove Xombie from box.
 2. Peel back plastic cover but do not remove.  Avoid physical contact with dry ice.
 3. Fill loaf pan or similar container with warm (not hot) water.
 4. Submerge Xombie, in packaging with plastic cover, in warm water.  Let stand for 24 hours.  THERE IS NO DANGER OF XOMBIE ACTIVITY DURING THIS STAGE.  EVAPORATION OF DRY ICE MAY APPEAR DRAMATICALLY OMINOUS TO YOUNGER CHILDREN AND OTHER HOUSEHOLD PETS.  IT IS RECOMMENDED THAT PATENTED MELTING BE ALLOWED TO PROGRESS OUT OF REACH OF INDIVIDUALS 16 AND UNDER.
 5. After melting process let thawed Xombie stand on enclosed drying rack for 20-40 minutes.  Some odor may be noticeable and is completely normal.
 6. Use alcohol swab to disinfect the index finger of individual to whom the Xombie will link.  (XombiCO and the AMA recommend parents of small children perform linking steps under the care of a family physician.)  Use enclosed needle pen to quickly pierce the flesh of the disinfected finger.  Squeeze digit to bring forth a small drop of blood.
 7. Apply a small but firm amount of pressure to your Xombie's abdomen below the ribcage.  The Xombie's mouth should open.  Some additional odor and/or mucousy disgorgement is normal at this stage.
 8. Holding the finger with the drop of blood at least one inch above the open Xombie maw, allow at least one (1) droplet of blood to be released into the Xombie's mouth and then release the pressure on the abdomen.  It is recommended that no more than three (3) drops of blood be consumed by Xombie during linking phase as this may cause increased flesh-lust in activated Xombie.  
 9. Let Xombie stand an additional 10 minutes.
 10. Use enclosed band-aid to dress the bleeding index finger.
 11. After 10 minutes Xombie will be ready for use.  PLEASE SEE 'SAFE PLAY AND CARE.'"

I had heard the Xombie preparation was elaborate but everyone I had talked to had said it ended up being a lot easier than they had thought.  I open the door to the basement.  There is a foul stench and what sounds like  small sneezes - like little 'a-choo' sounds from Tinkerbell.  My daughter immediately goes into defensive mode at the sound the door yanking open and my agitated footsteps on the carpeted stairs.  Before I even turn the corner she starts to explain.

"There's something wrong with this one Daddy."

I reach the bottom of the stairs and see her sitting on the floor in the shadow of the television, enveloped in a horror-movie cloud of vampire fog, billowing and snaking in the drafts of the basement.  The fluorescent lights cast a greenish glow on the scene.  At her knees is a large serrated bread knife, its edge almost absurdly bloodied.  She is holding her hand suspended above an area of carpet to her right that has become blackened by the blood collecting and absorbing into its shag and pooling in the empty Xombie-less space in the block of dry ice resting there.

"Angie told me she fed hers blood to make it come awake but this one is broken."

The fog parted for a moment and I glimpsed a tiny, raggedly-dressed "man" laying on its side.  The tiny sneeze sounds were its retchings--it was violently aspirating my daughters blood onto the freshly painted basement wall and onto the Wii console tossed in the corner.

END OF PART ONE...

Chin Up


It is how you carry yourself that makes an impression on people. It matters not how fine the cut of your trousers or the quality of your cashmere. You could look quite regal in a sack if you comport yourself well. Walk tall and straight and at all costs prevent the soul suckers from making eye contact with you. Do not look for solace where it cannot be found. You should be the only one who is aware of your burdens, the secrets you keep in the tuck and fold of your skirt, hemmed within an inch of your knees and stitched up tight like Frankenstein. 

The passion of black and white

Today it is raining and I am lost
Not depressed as one might expect on such a day
I've been kicked into that pit before and climbed out hand over fist
But in the nebulous funk of truth and lies and electronic devices
I have no pithy Haiku
There is no unconditional ear-
My mother has crossed the line from being helpful in my life to being protected from it.
I have noone else's husband to tell me I'm great
I absorb the quiet in my life
this is preceived as less passionate than those who are vibrant and outspoken
but there is no deception in my actions
when I am with you, it is you that I am with
I don't think that needs to be loud to be heard
I could never sustain two watered down lives
Slogging through the emotions of both
All that passion diluted to
ironically mediocre

Tuesday, November 2, 2010

Bicycle Thief

Someone took my bike.  My $100, bought off of craigslist, vanilla coloured California beach bike.  Bought right around the time I said yes to this place (after many gin and tonics at Rocky Sullivan's, the bar below and to the left - then called Liberty Heights Tap Room and owned by my current landlord.  Rocky's, where I had first cavorted over whiskey and Guinness with the minstrel boy from Birr nearly a decade earlier, was on Lexington Avenue in the 20's, then.  He and I certainly took a lot of cabs together).  Now, the Irish bar of my earlier memories had found its way to this neighborhood in Brooklyn, where I finally would descend to the waterfront, and ascend in every other manner.  I felt it fate and knew it was right.  I had been working my way here for awhile.  The three gins helped a great deal.

Whether I said yes to the place or bought the bike first I can't remember.  I rode the train with my friend Lala, down to the Orthodox Jewish avenues, South.  Early Saturday morning - Hot, dusty bare streets.  No one out.  I met the girl who sold me the bike in front of her family's house and then, she sold me me the bike.  I love the Cali beach bikes, but suspected even then that the hills around here might pose a problem.  There were similarly vanilla coloured fenders, sold separately and to be put on later.

We filled up the tires to the max and rode all the way from Avenue U back to Red Hook.  Prospect Park's hills proved my first challenge.  This would not be easy.  I wore summer dresses to the angry, shouting chagrin of Latino ladies who caught their husbands looking at the tops of my thighs as I passed.  I would yell back to them "Mind your business!" (internally: "Dumb Cunt.  It's not my fault your thighs are the size of a whale's.  Try eating fewer empanadas".)  This would distract my biking, so I would cut out those angry retorts quick as I could.

My stuff was in the local storage (where the bike was going when I was done with it that day), as I waited for the dual apartment(s) to be renovated - always taking longer than they said.  I had been staying with Jack, and just past the last golden arc of dramatics that would burst that impossible bubble.  Was well over a year and a half after, before I finally walked away, and still credit any and all of my love/relationship fucked uppedness to he and I (not just him, of course.  Who could blame like that with a straight face?)  Lala and I were going to share these two apartments, joined by a pocket door and taking up the entire 3rd / top floor of the building.  Like living alone, but that I would use the only kitchen on her "side" -- Fine by me, as she wanted to be able to sit there and "look at it" and I much preferred the street side (I liked to see people coming), the warm, southwest sunset light and the roundabout view of the waterfront.

We headed, sweaty and unkempt, to the local bar, which I never had the courage to head into, when I had lived previously in the adjoining neighbourhood ( I know I could now probably fall asleep there and feel safe as an unwanted orphan in a basket, drink in hand).  No one was there, but for the short, boyish blond bartender who clearly, like others we found out (and us too), had escaped to the waterfront away from something.  We sat there in the cool of the bar, drinking beer and watching T-Rex videos on the TV screen.  Then, he walked in- whirlwind, vulnerability, young dark haired man with the sweetest white pit bull puppy ever.  We talked for a good long while, and Lala could talk anyone's ear off, so I listened mostly, commenting when I felt I wanted to, and caught him looking at me rather intensely more than a few times.  When we finally left, he told Lala it was nice to meet her, and then put his hand on my bare shoulder and said with much solid and isolated intention "it was Really great to meet you, M_ _ _ _ _ _" (this was before my childhood nickname of Mimi was resurrected and sticks to this day in the neighbourhood); eyes alight, warmth of his smile, little did I know all that would transpire from this man-child.  Somehow, in my fateful way, I sensed that there was plenty more to come.  I was already in love with his dog.

Point is, I rode that bike a lot that first summer, mostly to that bar, to his house on the back streets I now drive home from the bar along; in the cold, slightly drunk, and even managed to make it up the steep hill to the train station for a good deal of that Autumn.  But the logistics of that half commute bike ride were too much for me - the bags, the dresses, the boots, the makeup and the sweat.  It was rough, and after one too many haughty Smith Street women commented on my dripping face, I decided to hold off for a bike with gears, or just ride it when it cooled down some.  Between that time and last weekend, I probably kept the bike chained up outside my front door for over two and a half solid years without use.

It was embarrassing, really.  Recently I thought about getting it fixed up, and received many a promise to help do so, but they never came to pass.  The tires, flat beyond recognition, the spokes and kickstand all rusted to the hilt.  Not sure I could even grease them free.  Not too long ago, someone from Rocky's (or patron) draped a blue motorcycle cloth cover over it; a cheap something to cast veil over this eye sore - this reminder of my laziness, my complacency, my inaction - I found it funny, and even showed him that last late night I stayed up and out to hear his woes, even when he wasn't speaking them out loud very much.  He had his trusty flashlight out and checked it out.  Said it could be fixed, but I knew he had a lot on his mind and didn't want to make it a point.  I would do it.  I would.

Then, Halloween night.  Well, the night before, technically, as it was a Saturday night.  I had my trademark bruises on, my operatic makeup, my torn clothes, my strength shining out happily from my victimized costume and fur coat.  Happily drunken on white russians, I posed on my dad's old car (now mine), still alive and kicking due to myself and some others.  Splayed on the hood, I raised my purposefully torn black stockings up into the night sky and stared off into the distance, beyond the frame, to a light somewhere which reflected the industrial waves of the nearby water and the deep boom of a boat in the distance.  All for the camera, as the inner egomaniac in me always wanted to be an actress.  I was giddy, and shallow.  I think I got punished for it.  My mother visited the next day, on actual Halloween, and remarked "your bike is gone...do you know that?"  I was shocked, but at the same moment, relieved.  I looked outside and even looked a second time, when we went downstairs later, as if it would re-appear all souped up and ready to go, shiny and vanilla as that first day I rode her to my home before it was my home.  She was gone, blue cover and all.

I thought I was being reprimanded for not taking care of her, not helping her, or minding her or getting her back on the streets I loved.  I'm sorry I forgot about her, but I knew some kids must have just up and awayed with her, for parts, or maybe they could get her going again.  Why anyone would choose this bike, after all that neglect and time, I know not.  I still can't figure out how they broke the massive, heavy chain and lock I had around it.  Then I think it was him (who studied lock picking for one of his many past times), who looked with so much intent at the bike that night a week prior, just as he once looked at me, the first times we spent in each other's company.  Maybe he had stole it and has it back at his house and is working on reviving the bike, as we speak.  Maybe.  I'll find out at some point.  Wherever she is, I hope she knows I loved her always, even though I didn't show it much after the start, nor keep up with her as I should have.  That empty space in front of my home looks completely new to me --- in all the time I've lived here, over three and a half years nearly -- the bike was always there.  Feels strange to come home in the cold, in the dark, to that empty space.  It's a new chance, though, to put something else there.  Pity- I still have the fenders, which I never did get around to putting onto the bike.  What the hell am I going to do with no bike, and ultra smooth, never-before-used, vanilla coloured fenders?

~ M. Lucia

Monday, November 1, 2010

Ode to Eire

Thick and viscous, membranes pulsating within the droplets of sweat that come from hard work in a damp climate, Ireland soars on its knees for you, muttering and scraping its legs and soles of feet as it moves along, beast of a brain incapacitated by drink and obligation. Wanting the other guy to know he’s no better, but stepping back into the shadows that others placed for it when its turn arises…the spotlight shining a rare but soft sun around the back of its neck, sore from crouching in safe houses, empty embellished halls of parliament, and on the lawns of Trinity, where it still is quite legal to shoot a catholic, if warranted. Ireland warrants every minute of every workday, no time for payday, already spent and around the bend it ambles; insides of lungs, stomach lining and bladder eviscerated by the amber clockwork that ticks beneath the witches’ brew – Barry’s, Guinness, Hard Grain in every corner, never to be swept up, just swept under the rug. Into the gene pools of the world. Hands cover mouths which talk double time to your front and your behind, the ever shifting necessity arriving and departing of perfect social hours intermingled with quiet, shameful alones. Shake any family tree and an Irish woman falls out---between her knees, falls from the tree the hoards of red blooded over workers, overbearing mothers and easy lays (on St. Patrick’s Day). Girls with something to prove, everything to lose and a collective heart beating which tries ever to not look at its own face, impossible to stop believing what reflection is shown to it by the empires that laid claim. Embedded with myth that knows not a reality or a truth; one that is forever trapped by the original name with which it was once slain and re-connected. Trembling and hopping mad, spinning in Celtic circles of death and reclaim, until it finds itself yet again, sneaking around the house at night, out to visit with the Thing it most enjoys, covertly wrought over, to the extreme, alone, so no one else can sit and judge, or try to understand. Secrets seem to hold more weight, fleshing out the poem into a lifetime of land reforms, of contradiction unsatisfied and identity undone, all in the timbre that fills out its life in between lives, in the notes that are heard, before and after, but never during the outpouring of song. Drowning in these sound waves, Ireland comes up for air, flails its arms about and screams like a banshee on a late night visit to the off licence.

~ M. Lucia